Music Critique Essay

This essay has a total of 533 words and 3 pages.

Music Critique

MUSIC CRITIQUE - HANDEL'S MESSIAH - A SOULFUL CELEBRATION

Producers Qunicy Jones and Mervyn Warren took George Frederic Handel's Messiah for a spin
and did a wonderful job with it. They took a classical masterpiece and funk-defied it.
This was one of the most important pieces of music to come across in decades, taking
Handel's Messiah to the masses of R & B lovers. In true style, the composer re-arranged
Handel's Messiah, to produce a classic collection of black music, while at the same time,
carrying a European and Western tradition that is opposing to African origins of Black
American music. History and music are combined in this project that celebrates G.F.
Handel's original Messiah, an oratorio for four-part chorus of mixed voices, soprano, alto
tenor and bass solo and piano.

Jones and Warren combines the black R & B tradition, heavily saturated in gospel and
making a joyful noise, gospel based religious overtones and impose them on a European
musical masterpiece. In 1741, Handel was in Dublin Ireland, when he composed the
masterpiece in twenty-four days. The Schirmer introduction to the oratorio cites that: "in
his choruses (Handel) did not go beyond four-part writing, and kept his orchestra within
the most modest limits, so that no instrument except violin and trumpet plays a solo part,
and oboe and bassoon do not appear at all in the score." Jones and Warren steered clear of
the supposed limitations of Handel's original work. They brought synthesized music,
marimbas, tambourines, and the music of rhythm and blues, to lift Handel's Messiah to
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