a road not taken



The Road Taken By Robert Frost 1864-1973 Robert Lee Frost, was one of America\'s leading 20th-century poets and a four-time winner of the Pulitzer Prize. An essentially pastoral poet often associated with rural New England, Frost wrote poems whose philosophical dimensions transcend any region. Although his verse forms are traditional he often said, in a dig at archival Carl Sandburg, that he would as soon play tennis without a net as write free verse he was a pioneer in the interplay of rhythm and meter and in the poetic se of the vocabulary and inflections of everyday speech. His poetry is thus both traditional and experimental, regional and universal ( Charles Alteri, 77). Robert’s father, William Prescot Frost Jr., was something of a drifter. He worked usually as a newspaperman and sometimes squandered his wages in a saloon and casino. Frost’s mother, a schoolteacher, her professional training served her well when in 18 she fled San Francisco and her improvident husband for the first time. Packing two year old Robert with her, she crossed the Continent to William’s parents house. There she gave birth to Robert’s sister, Jeanie. Less than ten years later Frost’s “ My tterfly,” his first published poem appears in the Independent. In 1912, at the age of 38, he sold the farm his father had passed to him and used the proceeds to take his family to England, where he could devote himself entirely to writing. His efforts to establish himself and his work were almost immediately succe ful. A Boy\'s Will was accepted by a London publisher and brought out in 1913, followed a year later by North of Boston (Brocheim, 120). Favorable reviews on both sides of the Atlantic resulted in American publication of the books by Henry Holt and Comp y, Frost\'s primary American publisher, and in the establishing of Frost\'s transatlantic reputation. In 1916 Frost suffers great nervousness while addressing Boston Authors\' Club in May, but feels more at ease when reading poems "Birches," "The Road Not Taken," and "The Sound of Trees" at Tufts College. Elinor, who was pregnant at the time had weak he t, suffers a miscarriage. As early as 1916 Robert Frost told Louis Untermeyer that he had already passed through “several phases, four to be exact” as a poet and considered himself permanently shaped. He knew what it was he could do well. He intended t go ahead and do it, and along the way make certain that everyone who counted knew what he was doing and appreciated him (Abrams, 235). “ I have myself in a strong box where I can unfold as a personality at discretion.” During his most productive years as a poet, Robert Frost pursued his three careers simultaneously poet, farmer, and college professor and while he would not have traded any of them for the lot of anyone else on earth, he recognized that he did not re ly fit in with the average practitioner of any of those vocations. He was a different breed. “Frost wrote poems whose philosophical dimension transcend any region”(Abrams, 237), yet the rhythms of New England, its land and people, were imprinted deeply Frost’s soul, and he saw in the most commonplace observations a metaphor for his own spiritual loneliness. "The Road Not Taken" by Robert Frost, is a poem full of symbols, he uses nature images to get his point across. If the reader doesn\'t pay close attention to what he is reading, he might find it very easy to get confused. Robert Frost writes his poems ike this, so that he can get the reader to think about life and what he is saying. This sense of his own inner divisions is perfectly reflected in his “The Road Not Taken.” The poem’s surface meaning is that we have choices in life, and our lives can tu out completely differently depending on the options we choose. Frost himself notes that he wrote “The Road Not Taken,” not with himself in mind, but a friend: “One stanza of ‘The Road Not Taken’ was written while I was sitting on a sofa in the middle o England. . . . I wasn’t thinking about myself there, but about a friend who had gone off