Hamlet Delay

Hamlet\'s Delay

Everyone contains a tinge of Hamlet in his feelings, wants,
and worries, and proudly so, for Hamlet is not like the other tragic
heroes of his period. He stands apart from other Shakespeare\'s heroes
in his today much discussed innocence. Is this supposed tragic hero
maybe an ideal hero - one without the tragic flaw, which has been a
part of the formula for the tragedy since the Golden age of Greece?; is
a question that has been the field for many literary critics\' battles.
The main, and, most often, the only flaw that has been attributed to
Hamlet is his delay. This seems to constitute the central part in
Hamlet. Critics seem to cling to this detail, as if trying to save the
status of Hamlet as a typical Elizabethan tragedy of revenge. By the
definition of tragedy, there should exist a flaw in the character of
the main hero, who is a great personality that is engaged in a
struggle that ends catastrophically (Stratford, 90). If Hamlet had no
flaw, what kind of tragic hero is he? No doubt, Hamlet is a tragical
drama, for it has many characters "from the top" ending up losing their
lives. But the play wouldn\'t lose its tragic tone if Hamlet was a an
ideal hero instead of tragic one, which is exactly the case. If just
all critic realized this, maybe today we wouldn\'t have that much
trouble trying to "decipher" Hamlet\'s character, just like Elizabethan
audience never raised any questions concerning Hamlet\'s delay. It was
only in the last two centuries, that the audience and their perceptions
have drastically changed, which causes this confusion concerning the
character that was created by Shakespeare for common people, some
ignorant ones among them, perhaps.
Hamlet is like a soldier that is thrown into a war where he
has to do some things he rather would avoid doing, but under the given
circumstances he bites his teeth and carries himself well (Stratford,
128). In this war, the circumstances brought on by Claudius\'s murdering
of King Hamlet are Hamlet\'s enemy. His dead father is the destroyed
country, painful truth which leaves so much hatred and resentment in
his heart. Being a loyal prince and son, and one whom entire kingdom
respected, he should seek revenge and bring justice back in the royal
court. The whole play would be very simple if this murdered was an open
assassination. But no, Shakespeare made sure that this assassination
was secret, that no one, except maybe Claudius, knew about it. This
puts in a completely different context the play that was written by
Thomas Kyd, a play titled Ur-Hamlet, which Shakespeare used as a basis
for his Hamlet (Grebanier, 111).This way, Shakespeare accomplished very
different development of action, and ultimately one of the best plays
in the history. Along with that, Shakespeare created disagreement
concerning reasons why Hamlet waited so long before killing Claudius.
A careful reader can notice that more than two months pass
between Hamlet being told by the Ghost about the evil deed, and Hamlet
following through his plan. One can argue that from this follows that
Hamlet procrastinated, having that one flaw - being passive, not daring
to act. But Shakespeare never payed attention to this time interval. An
audience wasn\'t aware of it, because Shakespeare didn\'t want it to be -
the rather large time interval was of no consequence, and truly one
cannot notice this without a conscious calculation (Grebanier, 179).
More critics, especially during popularity of Freud, have tried to
explain Hamlet\'s delay exclusively from psychological point of view.
But how can one psychologically analyze a character that doesn\'t exist
in physical world; whose existence is dependent merely on his actions
and reactions to the events and other characters from play? J. Dover
Wilson summarized it by saying that Hamlet is a "character in a play,
not in history" (Weitz, 107). From the point of view of these critics,
it follows that character preceded the plot, thus shaping it for its
needs. But Shakespeare, not to mention all the other play writers,
followed Aristotelian view that drama is imitation of life, of the
actions of man. Plot is a way to organize the action, and thus, plot
precedes character in Hamlet (Grebanier, 108). This, without even
knowing Aristotelian method, can also be deduced from knowing that
Shakespeare adopted plot of Ur-Hamlet, and changed it just slightly. A
slight change in the plot, however, hardly slightly affects the
characters. But one should notice that "preceding" means "comes before
the other one", and it does not mean "eliminates the other." Therefore,
the cause of Hamlet\'s fall cannot be