This essay Muddy Waters has a total of 793 words and 4 pages.
Blues as an art form gave Blacks a medium to manifest their feelings. Feelings
ranging from humorous to silly to depressed. Fortunately for a entire genre of music, the
only way for Mckinley Morganfield to express himself was through song. Morganfield
better known as Muddy Waters became a legendary blues vocalist /guitarist. When the
Blues industry saw commercial success many of its artists also saw rising fame. Muddy
Waters enjoyed success in the industry up until and even after his death in 1983.
Morganfield was born April 4, 1915 to Ollie Morganfield and Bertha Jones. He
was born in Rollingfork, Mississippi. Near their two room shack in Rollingfork there was
a creek, Deer Creek. As a youngster he used to play in the creek and get all dirty and
muddy. It was at this point when his sisters gave him the nickname ‘Muddy Waters’.
Bertha died when he was about three. After her death he had to move in with his
grandmother in Clarksdale. Raised in Clarksdale, he also went to school there. He went
to school until he was old enough to work in the fields.
Much like all of the other field laborers Muddy Waters hollered in the fields to pass
time or just to get things off of your chest. Waters would also teach himself to play
instruments. When he was fifteen he knew how to play the harmonica and he would later
teach himself the guitar. The young Waters followed in his fathers musician footsteps. He
was part of a band at fifteen, with Scott Bowhandle on guitar and Sonny Simms playing
the violin. They would play some Saturday nights in downtown Clarksdale and others he
would sell fried fish on nights. And other nights he would watch the greats like Son
House, Robert Johnson and Charlie Patton were great musical influences on Waters. The
main influence on Waters was Son House, although Waters style of play was more similar
to that of Robert Johnson.
Muddy Waters was first recognized by word of mouth. Alan Lomax of The
Library of Congress went to Clarksdale to record Robert Johnson. But to his dismay, he
found out that Robert Johnson was dead and had been for two years. The word on the
street at that time led Lomax to Muddy Waters. Waters would record two songs with
them in 1941, far before he became famous. His name would not reach household status
until 1947 when he recorded his first hit single, ”I can’t be satisfied.”
Muddy Waters style of blues was considered rough and uncompromising. It was
different from all of the other too ‘polished’ for the South musicians. Waters didn’t have a
sing-song voice, but a deep raspy voice. Success was steadily increasing especially since
the addition of band members. The band complimented his sound. Jimmy Rogers was on
the guitar, and harmonica specialist Little Walter. The band provided superb sounds while
the ‘grand ole man’ played his guitar and sang.
Although I listened to more than two selections there were two that stood out in
my mind; ‘The Hoochie Coochie Man’ and ‘Corine Corina’. Waters proclaims his arrival
and his presence as the hoochie coochie man. He wants to let the world know that he is
here. Over a consistent baseline, he begins each verse with a whisper and concluding each
verse with a shout almost. Adding to the effect that says his coming and know he is here.
The next song ‘Corine Corina is fast paced and upbeat. In an almost pleading voice he
asks Corina why she does not love him. He leaves Corina by the end of the song. This
record has a blend of saxophones, a base and a bridge with a harmonica. Neither of these
songs carry the typical thoughts of what a Blues song should like.
“The most astonishing aspect of the blues is that, through replete with a sense of
defeat and downheartedness, they are not intrinsically pessimistic; their burden of woe and
melancholy is dialectically redeemed through sheer force of sensuality into an almost
exultant affirmation of life, of love, of sex, of movement, of hope. No matter how
repressive was the American environment, the Negro never lost faith in of doubted his
deeply endemic capacity to live. All blues are a lusty, lyrical realism charged with taut
sensibility. I’ll never understand why most people define the blues as an expression of
-Richard Wright, definition of blues
Muddy Waters is a legend. Not only is he a legendary Blues vocalist /guitarist, but
Topics Related to Muddy Waters
Mississippi Blues Trail, Muddy Waters, Blues, Hoochie Coochie Man, Son House, Robert Johnson, Hoochie coochie, Im Ready, Willie Big Eyes Smith
Essays Related to Muddy Waters
Zeppilen Zeppilen Introduction Led Zeppelin were never afraid to try new musical directions, drawing inspiration from such styles as blues, rock, folk, country (and everything in between!) to create a unique sound that almost defies description, probably the most appropriate way to describe their vast repertoire is simply as Led Zeppelin. During their reign they created one of the most enduring and diverse catalogues in modern music and firmly secured their status as one of the most influential groups
The Real KingThe Real King Riley B. B.B. King (guitarist/singer, born September 16, 1925, Itta Bena, MS) The most touching bluesman of our time, and the most influential electric guitarist ever, the King of the Blues sums up his message with some simple advice. I would say to all people, but maybe to young people especially--black and white or whatever color--follow your own feelings and trust them, find out what you want to do and do it, and then practice it every day of your life and keep becoming what you
The west the west On Jan. 24, 1855, Henry David Thoreau sat down to his journal to reflect on all the ways his homeland had changed since the first English colonists had arrived on the shores of Massachusetts two centuries earlier. For several days, Thoreau had been reading the accounts of some of the earliest settlers. Compared to the America they had found, Thoreau reflected, his experience in the forests was like listening to a symphony played without most of the instruments. As he further considered
The west The west The West that was, and the West that can be by Dan Flores On Jan. 24, 1855, Henry David Thoreau sat down to his journal to reflect on all the ways his homeland had changed since the first English colonists had arrived on the shores of Massachusetts two centuries earlier. For several days, Thoreau had been reading the accounts of some of the earliest settlers. Compared to the America they had found, Thoreau reflected, his experience in the forests was like listening to a symphony played