portriat photography1

Many photographers in the past have had dynamic careers that have influenced many up and coming photographers and will for years to come. Because their work at the time has been preserved in inspirational and innovative images of their eras rock legends and cultural icons, similarities yet progressions can been seen through a comparison of photographers such as David Bailey, Anne Liebovitz and Rankin one of today\'s most talked about photographers.

David Baileys career was at a high between the years of 1957 and 1969 and was most famous for his striking black and white images of icons including John lennon and Paul McCartney, Mick Jagger, Jean Shrimpton and the Kray Twins. At this time Bailey was making a revolutionary progression to 35mm cameras at the beginning of the 60\'s. The SLR camera Bailey purchased in \'61 allowed him the flexibility to loosen up the fashion genre. For example on of his early fashion shoots for Vogue \'Young idea goes west\' featured Jean Shrimpton in the chaotic urban environment of New York. These photographs epitomized a new street realism and marked a drastic departure from the Static formally posed fashion and portrait photography of the previous decade.

Bailey\'s mapping of the \'60s was marked by two collections of portraits; David Bailey\'s Box of Pin-ups in 1965, Goodbye Baby, and Amen in 1969. Powerful portraits of musicians including Mick Jagger, Lennon, and McCartney reflect the stature of these 60s media heroes in these volumes, and actors such as Michael Caine and Marianne Faithful. Along with models Jean Shrimpton and Sue Murray. Close cropping, strong lighting and often stark, bare backgrounds; which have given them a dramatic and enduring intensity characterize Baileys portraits. With most of his models Bailey had a very close rapport that brought a certain level of intimacy to his photographs, which was unique amongst his contemporaries. Bailey’s photographs seem to be quite contrasting and he uses quite harsh side lighting that makes the character appear to be very strong and threatening which may have been Baileys intention.

Bailey remains still as active as ever and has continuing importance as a portrait photographer evident in his contemporary photographs of Naomi Campbell, Amber Valetta, Johnny Depp and Ralph Fiennes.

Anne Liebovitz whose career has been renowned for her work for Rolling Stones magazine was spread throughout the years of 1970 to 1990, and alike Bailey she had a very close rapport with many of her models and often caught them in natural off-guard moments. Her portraits were very different from her contemporaries, she very rarely used studio set-ups and even when she did they were unlike any ordinary portraits. Anne tried to capture a side of the celebrities and icons that had never been seen before and often created a surreal looking moment. Her style was very different from Baileys, instead of close cropping and stark backgrounds, which was a very well used technique in Bailey\'s studios, she would give every model a different personality and look to what the public eye was familiar with. Many of her photographs use the body as well as the face as a means of expression, which is unusual for a portraitist.

One of her portraits, which represent the era very well, is one of Arnold Schwarzenegger taken in 1979. It is an excellent representation of the all out obsession with self-maintenance and gym mania that took place in the eighties. In contrast, it\'s different compared to the portraits in which all you see in a "body armour" that most individuals seem to need. Anne\'s pictures represent people relating to each other in a non-defensive way; this is only possible because of the close relationships she has with her models. One of the best examples of her work is the last portrait of John Lennon and Yoko Ono. This represents the close relationship she was able to build with her models and also uses the fetal position to show her use of the human body as a means of expression. This portrait is very strong graphically and yet emotionally it creates a powerful image by itself. In many of her portraits some of her equipment can be seen, for example: lighting, stands, backdrops she makes the shoots seem casual and \'make